- Country of Origin: Texas, US
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A doorway is but a hole, a near emptiness, a thing which may be crossed. But the Peruvian doors are entryways, mystical, unknown, and bursting with the knowledge that an entire life unlike your own exists just beyond.
They are made of color, of gated iron, of broken down wood, of stories. Doors became my obsession. If the drivers of Peru were number one on our “ways to die” list, the act of getting a photograph of a specific door was a close second with how dangerous getting to some of them ending up becoming.
Cathedrals, shanties, museums, and houses had elaborate doors kept safe behind bars whereas some others were left open and easily accessible. Bikes were left to lean around everywhere we looked. One open door, the one to church, required payment to enter. The closed ones — with their lion heads forever keeping their iron rings prisoner — were the most telling.
Closed doors and grated windows were sometimes guarded by the police, all of whom were more than welcoming when I asked to get a picture of them. They said I could join them, or sent me across the street to go beyond a gate there to get a picture with their other police officer friend. The doors told stories.
Transported to the beautiful unfamiliar
The people told stories, too. The architecture. The murals. The mist that forever kept the city of Lima the same gray as the inside of a cloud: light and dreamy.
Ana and I walked and walked our first three days, before we moved deeper into the city. Among the people, it was easy to feel like the distance from home wasn’t quite so great. It was a crowded city like any other, where people had little dogs wearing sweaters and booties. We were by the ocean, which felt foreign enough for gleeful excitement, but not enough to feel transported.
That enchantment happened when we came across the first woman dressed in traditional Peruvian layered Inca clothing. Rich jewel-toned colors and knit patterns wrapped her, and a baby was swaddled against her chest as she walked while selling homemade chocolates. She was petite and beautiful. Gentle like a doe.
Ana spoke with her while I looked on admiringly. Her woven basket of chocolates was just a bit too large for her to reach across its diameter. The chocolates were wrapped in paper with bright stripes of blue and orange. Their tops were cut into strips, erupting from them like a little carnival.
Ana, who is allergic to chocolate, gave her some small change. A blue bundle left the basket as she turned and asked if I wanted the peanut butter chocolate. I gave her my coins. An orange carnival tent came in exchange. I gestured and asked in English if I could see her baby. Shyly, she pulled part of her colorful wrap aside.
I was stunned by the baby’s beauty — its unknown power that all babies possess — but even more so by his sheer size: to think that he came from his mother’s small frame, and that he was still only seven months old!
That was the moment. The moment that felt like thousands of miles away. The moment when a stranger became a life and a place became a home. The moment that even my best imagination could not come close to comparing to. Peru was just a few thousands of miles away from home, different but similar, and knowing that made it feel surreal. The ground we walked upon, the air we walked through, and the mist-covered mountains that seemed to float in the sky, were always there, yet always out of reach.
So many wonders we will never forget
We ate plenty of food – mostly good, some not. We had a spontaneous paragliding adventure, but that wasn’t nearly as terrifying as the drive to the beach without a seat belt. We were overwhelmed by the marketplace on our “gift getting” day. We spent a day in the plaza and burned our tongues on the best churros ever. During all of these experiences, every single person was kind.
We spent three days in Lima, every second of them filled, and each one with a story of its own. After those three days, we next made our way across the Andes by plane and up the next mountain by car. We traveled deep into the jungle towards Moyobamba – a place where we would train to become certified yoga teachers.
In Moyobamba, we spent fourteen days nestled alongside the river at the Kantu Lodge. Thirteen people – nine students and four teachers – got together every day from 5:45 am to 10:00 pm.
There were also the adorable black spider monkeys with tails as long as their bodies that swung from the trees just outside the shala (a shaded, open pavilion, from the Sanskrit term for adobe) where we practiced. The local butterflies were the size of both my hands together and flew lazily about, their sky-blue iridescence unreal in their authenticity.
We hand-washed clothes in the bathroom sink and hung them out to dry with the hope it wouldn’t rain. Except for the single day of a continuous 12-hour downpour, our clothes stayed relatively clean. We shooed tarantulas, huntsman, and every other spider from our bedrooms, the shala, and the girls who screamed at every insect that came near them.
We did yoga with the children on the streets who happily ran around barefoot —
some no older than four, asking us “Yoga? Yoga!”
We traveled misty rivers, drank cacao, and visited a remote region filled with medicinal plants run by indigenous women, and to swim in the waters there. We saw hummingbirds and huge, ruddy brown birds with reddish eyes, looking in as they watched us from behind glass. We feasted on 42 total different vegetarian dishes served at every meal. We danced while thunderclouds rolled above us or while a fire crackled between us. We sang loudly from the balcony and along the paths.
But most importantly, we laughed. We laughed with hearts who knew what it was to really laugh. We left as certified yoga teachers, but that piece of paper holds within it stories of adventures I never thought possible and that were truer than ink can describe. It holds a piece of the world that really does exist, so far, far away from home.
Thank you to Yosef Baskin, Eric Mabry, and Julianna Wages on the Lifestyle & Relationships team for their inspired edits on this piece.
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Phoebe Dupree
Phoebe is an artist and a writer governed by a sense of honesty and compassion. She is dedicated to her family of five children — seven if you include her wonderful beast of a man and their adopted trauma dog who wears a pumpkin costume at Halloween (this is not why she is traumatized.) She found yoga and quickly took to the daily sweaty life of stretching and strengthening and falling; she recently obtained her yoga teacher certification in Peru, and has to remind herself that “You’ll never be ready! Merge into the traffic that is!”
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